✨ Film Classification Decisions
NEW ZEALAND GAZETTE
23 JUNE 2553
| Applicant | Maker | Title Silent(S) or Talker(T) | No. of Copies | Gauges | Running Time Minutes | Reason for Refusal, Excisions, or Alterations | Decision and Cert. No. | Country of Origin | Remarks |
|---|---|---|---|---|---|---|---|---|---|
| Cultural and Educational Exhibitions Ltd. | Lasse Hallström | MY LIFE AS A DOG | 1 | 35 mm | 102.5 | GA | Sweden | New applicant, see 18/9/83. | |
| Columbia Films (NZ) Ltd. | Carl Schultz | THE SEVENTH SIGN | 1 | 35 mm | 98.0 | RP 13 | U.S.A. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | Gabriel Axel | BABETTE’S FEAST | 1 | 35 mm | 104.5 | GA | Denmark, Sweden | Danish dialogue, English subtitles. | |
| Twentieth Century Fox Distribution (NZ) Ltd. | Gabriel Axel | BABETTE’S GAESTEBUD (T No. 1) | 1 | 35 mm | 104.5 | GA | Denmark, Sweden | Danish dialogue, English subtitles. | |
| New Zealand Federation of Film Societies | Boyko Kanev | A CRUSHED WORLD | 1 | 35 mm | 7.0 | G | Bulgaria | No dialogue. | |
| Twentieth Century Fox Distribution (NZ) Ltd. | David Drury | Split Decisions (T No. 1) | 2 | 35 mm | 2.0 | RP 13 | U.S.A. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | David Leland | WISH YOU WERE HERE | 1 | 35 mm | 94.0 | GA | U.K. | Censor’s note: Some content may offend. | |
| Twentieth Century Fox Distribution (NZ) Ltd. | Panorama Film International | Babette’s Feast (T No. 1) | 1 | 35 mm | 1.5 | G | Denmark | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | Panorama Film International | Babette’s Gaestebud (T No. 1) | 1 | 35 mm | 1.5 | G | Denmark | ||
| New Zealand Federation of Film Societies | Zhang Zeming | SWAN SONG | 1 | 35 mm | 101.5 | GY | China | Chinese dialogue, English subtitles, Japanese dialogue. | |
| Japan Information and Cultural Centre, Embassy of Japan | Kinji Fukasaku | YUME CHIYO | 1 | 16 mm | 129.0 | RP 16 | Japan | ||
| Columbia Films (NZ) Ltd. | Richard Benjamin | LITTLE NIKITA | 6 | 35 mm | 98.0 | GA | U.S.A. | ||
| Columbia Films (NZ) Ltd. | Richard Benjamin | Little Nikita (T No. 1) | 12 | 35 mm | 1.5 | GY | U.S.A. | “O” equals peace symbol. | |
| Columbia Films (NZ) Ltd. | Prince | SIGN “O” THE TIMES | 3 | 35 mm | 86.0 | GY | U.S.A. | “O” equals peace symbol. | |
| Twentieth Century Fox Distribution (NZ) Ltd. | Cineplex Odeon Films | Sign “O” the Times (T No. 1) | 1 | 35 mm | 1.5 | GY | U.S.A. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | David Leland | Wish You Were Here (T No. 1) | 1 | 35 mm | 2.0 | GA | U.K. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | Scotti Bros. | Lady Beware (T No. 1) | 1 | 35 mm | 2.0 | Anti-social behaviour | RP 16 | U.S.A. | |
| Twentieth Century Fox Distribution (NZ) Ltd. | Lorimar Motion Pictures | Orphans (T No. 1) | 1 | 35 mm | 2.5 | GA | U.S.A. | ||
| Kerridge Odeon Film Distributors | Stephen Frears | SAMMY AND ROSIE GET LAID | 1 | 35 mm | 102.0 | RP 16 | U.K. | Censor’s note: Content may offend. | |
| Amalgamated Theatres Distributors | Paul Mazursky Company | The Unbearable Lightness of Being (T No. 1) | 4 | 35 mm | 2.5 | RP 13 | U.S.A. | ||
| Warner Bros. | Alan Myerson | POLICE ACADEMY 5 ASSIGNMENT: MIAMI BEACH | 1 | 16 mm | 90.0 | GY | U.S.A. | ||
| Proquity Entertainments Ltd. (Auckland) | Bille August | Twist and Shout (T No. 1) | 1 | 35 mm | 2.5 | GA | Denmark | Danish dialogue, English subtitles. | |
| Amalgamated Theatres | Philip Kaufman | THE UNBEARABLE LIGHTNESS OF BEING | 1 | 35 mm | 175.0 | RP 16 | U.S.A., France | ||
| United International Pictures | James Bridges | BRIGHT LIGHTS, BIG CITY | 1 | 35 mm | 108.0 | GY | U.S.A. | Censor’s note: Some content may offend. | |
| Kerridge Odeon Film Distributors | Dennis Hopper | Colors (T No. 1) | 17 | 35 mm | 2.0 | RP 16 | U.S.A. | ||
| Amalgamated Theatres Distributors | John Cornell | “CROCODILE” DUNDEE II | 17 | 35 mm | 113.0 | GY | Australia | ||
| Touchstone Films, Kerridge Odeon Film Distributors | Touchstone Pictures | D.O.A. (T No. 1) | 40 | 35 mm | 1.0 | Violence | GA | U.S.A. | Change of title. |
| Amalgamated Theatres Distributors | Stephen Frears | Sammy and Rosie Get Laid (T No. 1) | 3 | 35 mm | 2.0 | RP 16 | U.K. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | Clive Barker | HELLRAISER | 1 | 16 mm | 89.5 | R 16 | U.S.A. | Censor’s note: Content may offend. | |
| Amalgamated Theatres | Steve Jodrell | SHAME | 1 | 35 mm | 95.0 | GA | Australia | Censor’s note: Content may offend. | |
| Amalgamated Theatres | Barron Films and UAA Films | Shame (T No. 1) | 4 | 35 mm | 1.5 | GA | Australia | ||
| Venus Video | John Shubert | AMBERELLA: AGENT OF L.U.S.T. | 10 | VHS | 81.0 | R 18 | U.S.A. | Censor’s note: Explicit sexual content may offend. | |
| Venus Video | Jack Genero | HARD RIDE | 10 | VHS | 85.0 | R 18 | U.S.A. | Censor’s note: Explicit sexual content may offend. | |
| Columbia Films (NZ) Ltd. | Paul Golding | PULSE | 6 | 35 mm | 92.0 | RP 16 | U.S.A. | ||
| Columbia Films (NZ) Ltd. | Aspen Film Society | Pulse (T No. 1) | 3 | 35 mm | 1.0 | RP 13 | U.S.A. | ||
| Twentieth Century Fox Distribution (NZ) Ltd. | Paul Michael Glaser | THE RUNNING MAN | 30 | 16 mm | 100.0 | RP 16 | U.S.A. | Censor’s note: Some content may disturb. | |
| Venus Video | John Shubert | TRACEY ADAMS IN THE “SEX DERBY” | 10 | VHS | 87.5 | R 18 | U.S.A. | Censor’s note: Explicit sexual content may offend. | |
| Venus Video | James Bridges | Bright Lights, Big City (T No. 1) | 2 | 35 mm | 2.0 | GY | U.S.A. | ||
| Amalgamated Theatres | Paramount Pictures | “Crocodile” Dundee II (T No. 1) | 36 | 35 mm | 2.0 | GY | Australia | ||
| Touchstone Films | Touchstone Films | Deadly Pursuit (T No. 1) | 40 | 35 mm | 2.0 | Violence | G | U.S.A. | Change of title. |
| Twentieth Century Fox Distribution (NZ) Ltd. | Christopher Crowe | SAIGON | 1 | 16 mm | 101.5 | R 16 | U.S.A. | Censor’s note: Content may offend. |
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VUW Te Waharoa —
NZ Gazette 1988, No 108
NZLII —
NZ Gazette 1988, No 108
✨ LLM interpretation of page content
Chief Censor’s Decisions: 2–31 May 1988
(continued from previous page)
Culture & ScienceFilms Act 1983, Chief Censor’s Decisions, Film Classification